Real-time demosaicing and decoding of RAW files
(RED
®
, ARRI, Phantom or Silicon Imaging) enables
fast DI workflows
Control the image processing requirements for
developing RAW data
Quickly create high-quality digital dailies with
comprehensive burn-ins from RAW files
Sophisticated conforming of RAW files
FCP XML and Avid ALE support
RAW WORKFLOW
WITH CLIPSTER
®
QuickTime
®
Reference File
RAW files like
R3D, ARI, CIN
Bayer Pattern Camera
e.g. RED ONE
TM
, ARRI
D20/D21, Phantom,
Silicon Imaging
HD-SDI single-/dual-link
DVI out up to 4K
DPX, TIFF, PNG, etc.
Color grader control of
CLIPSTER
®
over RS-422
Color grading with DPX
file sequences
Offline editing
with FCP
Offline editing
with Avid
®
EDL/XML
Avid
DNxHD
®
EDL/ALE
Real-time demosaicing and decoding of RAW files in full 4K resolution
Generate digital dailies with sophisticated burn-ins
Powerful conforming of RAW files with EDL, XML and ALEs
Color grade in a typical DI workflow controlling CLIPSTER
®
over RS-422
Generate DPX file sequences in 4K RGB 16 bit in high speed
RAW TO DAILIES IN HIGH-SPEED
Create offline editing content on-the-fly with CLIPSTER’s brand new
burn-in feature set. Digital dailies are generated easily with RAW
material coming directly from a RED
®
, ARRI, Phantom or Silicon Imaging
camera, eliminating time-consuming data processing sessions. CLIPSTER
®
gives you the formats needed for your offline workflow. The powerful
CLIPSTER
®
engine generates offline formats in HD/SD or QuickTime
®
,
Avid DNxHD
®
or other commonly used compressed formats with the
metadata and header information burned into the picture.
PROCESS FULL UNCOMPRESSED 4K RAW FILES
Shooting in RAW mode provides the highest quality content and
delivers the utmost flexibility from acquisition through post produc-
tion. The new CLIPSTER
®
hardware accelerator board easily processes
RAW content in real-time. CLIPSTER´s integrated hardware decodes
and demosaics in high speed, preventing a loss in performance. It also
provides the ability to work with a full resolution RAW file in 4K 12 bit
RGB mode just like the RED ONE
™
camera uses. Simply drag and drop
the RAW files directly into the CLIPSTER
®
timeline and press "play."
No preprocessing or background rendering is required. In addition to
the video stream, audio and all metadata are utilized in this workflow.
A sophisticated toolset lets you view the camera parameters, granting
ultimate picture control to achieve just the right look.
THE REAL-TIME RED
®
WORKFLOW
Process RED
®
camera data in real-time. Offline RED
®
material can be
accessed as QuickTime
®
reference files or as CLIPSTER-processed offline
streams. CLIPSTER’s unique Conforming Tool easily manages and
conforms original RAW content via EDL, FCP XML or ALE. CLIPSTER
®
creates a master thanks to timecode and reel number information
coming from the header data. Use a split screen to compare the 4K
RAW 12 bit material with the offline proxies. CLIPSTER
®
color corrects
or scales each format in real-time. DPX file sequences used in third-party
color grading software are generated in high speed. With the original
R3D files in the timeline you can control CLIPSTER
®
with your preferred
color grader via an RS-422 interface in highest quality.
"Anyone who understands RED
®
workflows and sees
this solution will not want to live without it.
Bottom line: No other product compares. We are fully
committed to being at the cutting edge of all things
RED
®
, and the CLIPSTER
®
is, hands down, the most
powerful RED
®
workflow tool available today.”
Mark L. Pederson, CEO OFFHOLLYWOOD
(49 pages)
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