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Timeline Element Properties
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Figure 7-36: Color corrected example image
Once the color alterations are set as desired, the procedure to perform
a secondary color correction is finished. The changes are immediately
applied to the selected clip in the timeline. However, prior to a real-time
play-out the clip where the secondary color correction is applied has to
be prerendered (see section “Prerendering of Timeline Elements” on
page 6-46).
Further information about the items to perform a color correction can
be found in section “The Color Correction and Balance Area” on
page 7-48.
7.11.2 The Color Vector List
From the color vector list to the left of the settings pane you have to
choose a vector for the color correction. Once the procedure to perform
a secondary color correction is completed, it will hold your data of the
selected color or color range as well as the changes applied to color cor-
rect it.
The DVS software provides overall seven predefined color vectors: One
that has all colors selected and six others that provide each a different
color.
- CLIPSTER 1
- CLIPSTER Edit Tool 3
- User Guide 3
- CLIPSTER Edit Tool User Guide 10
- Contents 11
- ......................A-19 14
- Introduction 15
- 1.1 Overview 18
- 1.2 Target Group 19
- 1.4 Important Notes 21
- 1.5 New in the Edit Tool 22
- DVS System 26
- 2.3 The Task Bar 33
- 2.4 Working in Real Time 35
- 2.6.1 About Source Timecode 39
- 2.6.2 About Keycode 40
- Getting Started 45
- 3.1 Starting the Program 46
- 3.2.1 Preparing the Bin 47
- ETTINGS… at the top left 51
- Figure 3-5: Timeline sliders 53
- 3.3 Exiting the Program 62
- 4.2 The Bin 65
- 4.2.1 Configuring the Bin 66
- 4.2.2 Adding Clips to the Bin 68
- 4.2.3 Details about Clips 72
- 4.2.6 Using Proxies 84
- 4.3 Effects 87
- 4.3.2 Creating Preset Effects 88
- 4.3.3 Using Preset Effects 90
- 4.4 Jobs 95
- 4.5 The Marker Table 96
- 4.6 The Performance Monitor 98
- 4.6.1 The Chart 100
- The Tool Area 101
- 4.6.2 Chart Controls 102
- 4.6.3 The Status Bar 103
- 4.6.4 The Drop Table 104
- 4.6.5 The Table Controls 105
- ARK ALL button of 109
- The Control Area 111
- 5.1 The Video Overlay 112
- 5.1.2 The Video Scopes 113
- Figure 5-8: The RGB parade 116
- Figure 5-9: The YUV parade 117
- Figure 5-10: The waveform 118
- 5.3 Controls 121
- 5.4 The Source-Edit Mode 124
- 5.5 The Trim Mode 134
- 5.5.1 The Trim Controls 135
- Figure 5-19: Trim controls 138
- The Timeline 141
- 6.2 Configuring the Timeline 146
- 6.2.9 Cropping the Timeline 161
- 6.2.11 Naming Tracks 168
- 6.3 Controlling the Timeline 169
- Figure 6-31: Timeline sliders 170
- Figure 6-33: The scrub bar 171
- Clip 1-1 Clip 1-2Clip 2 175
- [06:00][04:00][04:00] 175
- Clip 1-1 176
- Clip 1-2 176
- [02:00][04:00][04:00] 176
- Figure 6-37: Moving a clip 179
- 6.4.2 Selecting Clips 180
- 6.4.6 Performing a Cut 184
- 6.4.7 Setting Transitions 184
- 6.4.10 Advanced Trimming 190
- 6.4.14 Relinking Clips 198
- 6.5 Working with Video Clips 200
- 6.5.3 Consistencies of Clips 203
- Play-out result: 208
- 6.5.7 Scene Detection 209
- 6.6 Working with Audio Clips 214
- 6.6.3 Volume Control 217
- 6.6.4 Waveform Display 219
- 6.7 Finalizing the Timeline 220
- 6.7.1 General Settings 221
- 6.7.2 Configuring Video 222
- 6.7.3 Configuring Audio 226
- 6.7.4 Finalizing 228
- 6.7.6 Name Options 230
- the frame number in 233
- Timeline Element Properties 235
- 7.6.1 Adding Effects 245
- 7.7.1 Items for Zooming 250
- 7.7.2 Items for Panning 251
- 7.7.3 Advanced Settings 252
- 7.8 Keyframing 255
- Figure 7-15: Parameters list 256
- 7.8.2 Viewing the Graph 257
- Figure 7-17: The graph 258
- 7.8.3 Moving within the Graph 259
- 7.8.4 Setting Keyframes 261
- 7.8.5 Positioning Keyframes 261
- 7.8.6 Further Possibilities 262
- 7.9 The Operator ’Flip Flop’ 264
- 7.10.1 Static LUT 265
- 7.10.2 Master / Luma / Chroma 266
- 7.10.3 Global 268
- 7.10.4 Lift / Gamma / Gain 269
- 7.10.5 Color Wheel 270
- Figure 7-34: Preview window 273
- 7.11.2 The Color Vector List 275
- 7.11.3 The Color Mask Area 276
- 1: 2: 3: 279
- 7.12 Picture Masks 285
- 7.12.2 Setting Shapes 286
- 7.12.3 Adjusting the Shapes 288
- The Conforming Tool 293
- 8.1.1 Conforming in General 294
- 8.1.3 Important Notes 295
- 8.2.2 Building up a Timeline 301
- 8.2.3 Conforming 305
- 8.5.1 Viewing EDLs 319
- 8.5.4 The Tab ’EDLs’ 321
- Figure 8-18: The tab ’EDLs’ 322
- 8.5.5 The Tab ’EDL Clips’ 323
- 8.5.6 The Tab ’EDL Reels’ 328
- 8.5.7 The Tab ’Original EDL’ 330
- 8.6.1 The Edit Controls 332
- 8.6.2 The View Controls 333
- 8.6.3 The Modify Controls 336
- Figure 8-29: Combining EDLs 337
- 8.6.4 The Execute Controls 341
- Figure 8-34: Linking data 342
- Figure 8-36: Capturing data 346
- 8.7.2 The Video Overlay 353
- 8.7.3 The Scrub Bar 354
- 8.7.4 The Preview Controls 355
- 8.7.5 Clip Properties 356
- The Menus 361
- 9.1.1 Minimize 362
- 9.1.2 Exit 362
- 9.2 The ’Project’ Menu 363
- 9.2.2 Open… 364
- 9.2.3 Recent files 365
- 9.2.4 Insert Project… 365
- 9.2.5 Add EDL… 366
- 9.2.6 Add clips… 366
- 9.2.7 Save 366
- 9.2.8 Save As… 367
- 9.2.9 Update CineReel 367
- 9.2.10 Export EDL… 368
- 9.2.11 Finalize… 374
- 9.2.12 Prerender all 375
- 9.2.13 Extract files… 375
- 9.2.14 Load KDM… 376
- 9.2.15 Exit 376
- 9.3 The ’Edit’ Menu 377
- 9.4 The ’Bin’ Menu 378
- 9.4.2 Export Bin… 379
- 9.4.3 Clear Bin 379
- 9.4.4 Check Bin 379
- 9.4.5 Generate proxies 381
- 9.4.6 Delete all proxies 382
- 9.4.7 Activate all proxies 382
- 9.4.8 Deactivate all proxies 383
- 9.5 The ’Options’ Menu 384
- 9.5.3 Defaults… 385
- 9.5.4 Load defaults… 385
- 9.5.5 Save defaults… 386
- 9.6 The ’Help’ Menu 387
- Appendix 389
- A.2 Keyboard Shortcuts 395
- A.3 Supported File Formats 397
- Format Name 400
- Extension 400
- Description 400
- A.4 1D LUT Files 401
- A.5 3D LUT Files 402
- A.5.2 3DL Files 403
- A.5.3 XML Files 405
- A.7 System Maintenance 407
- Numerics 411
- EDL event 420
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